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Organized Make-Believe Play
October 28, 2009
Teach us to know that failure is as much a part of life as success — and whether it shall be evil or good depends upon the way we meet it …Honest failure [is] far better than stolen success, and but a part of that great training which makes us women and men.
-W.E.B. Du Bois (1868 – 1963), Sociologist and Author
Over the past decade there has been a raging debate in the early childhood field between those who favor accelerated academic instruction and those who favor free play for three, four, and five year olds.  The New York Times Magazine (September 27, 2009) joined in on this debate with an article, "The Make-Believe Solution," which described a curriculum of organized make-believe play called "Tools of the Mind."  This curriculum is said to be based on these concepts proposed by Lev Vigotsky in the first quarter of the 20th century:
  • At 4 or 5, a child's ability to play creatively with other children is a better indicator of her future academic success than any other indicator, including her vocabulary, her counting skills, or her knowledge of the alphabet.
  • Dramatic play is the training ground where children learn to regulate themselves, to conquer their own unruly minds.
  • In dramatic play children are guided by the basic principles of play. Make-believe isn't as stimulating and satisfying if players don't stick to their roles. When children follow the rules of make-believe and push one another to follow those rules, they develop important habits of self control.



Exchange has packaged six of its play resources into a single Play Tool Kit and is offering the entire set at a 37% discount. Resources in the kit include:

Books:
  • Beginnings Workshops Book #6 - Play
  • Promoting the Value of Play CD Book

Out of the Box Training Kits (Print versions):
  • Play and the Outdoors: What's New Under the Sun
  • But They're Only Playing: Interpreting Play to Parents
  • Supporting Constructive Play in the Wild
  • Designing and Creating Natural Play Environments

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Comments (3)

Displaying All 3 Comments
Nettie Becker · November 12, 2009
Author: Developing Quality Care for Young Children; Corwin Pres
Rockville Centre, New York, United States


Frances Wardle is right to touch upon an important aspect of early child care — forcing all children into activities, whether academic or play, that they themselves are not ready for. In accelerated academic instruction, the child isn’t exploring and discovering creatively. She is told what to do in disregard of whether or not she understands the academic material. In forcing dramatic play or mature play upon all children, there is a disregard of whether all children in a particular age group are ready for it. Teachers should be trained in the emotional, cognitive and social developmental stages of the children. When the environment and curriculum are planned by an experienced and well-trained staff, the child learns to play creatively by applying her natural desire to learn. This learning through play is a planned part of the curriculum but in all cases it allows the children to take the lead in their play activities and always makes allowances for individual differences in the group. I cover this topic extensively in a chapter entitled High Quality Child Care as a Learning Experience in my book, Developing Quality Care for Young Children (Corwin Press, 2009).

Lilach · October 30, 2009
Israel


Dear publisher,
I became very interested in your article o the make believe solution, however, unfortunately could not find the specific article in the NYTimes, as you referred to.
i would greatly appreciate it if you could direct me to the correct location of the article on-line.
Thank you for great posts, I enjoy receiving, reading and learning from your newsletter.
Sincerely,
Lilach Grunfeld-Yona

Francis Wardle · October 28, 2009
CSBC
Denver, CO, United States


This approach is used in a school district where I live, and some of the teachers are in my college classes. Many in early childhood in this area, including me, are very opposed to this curriculum. Forcing play (in this case dramatic play) is as bad as forcing anything else at this age. Play is developmental, and many children are not yet ready for dramatic play. Further, all play is equally good; to pose dramatic play as "mature play" is simply wrong. Finally, the way I read Vygotsky, whose approach focuses on language and social input, but is still developmental, this is an inaccurate application of his theory. The architects of this approach are not early childhood people. One of the biggest complaints of its applciation is that there is no place in it for children with a variety of developmental delays. It also discriminates against children who are not verbally advanced (boys).
Why must we continually push children?



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